The White Rabbit Gallery Property Visualisation

Making it big in an Eastern country used to be a second choice for Western rockstars. Despite its multitude, the Chinese opinion was once considered inferior to established Western tastes. Yet China’s fast-paced transformation has turned the nation into a global powerhouse. These days companies, brands, and even nations from around the world all scramble to win the favour of Chinese consumers.
‍
These artworks explain that China is a country that has undergone dramatic changes in the past few decades. It has evolved from an Eastern country with inferior technology and tastes to a Western one. The Chinese population has become more and more globalised, which means that its culture and tastes are now on par with those of other countries around the world.
‍
The Chinese consumer landscape is now dominated by companies, brands and even nations from around the world vying for their attention.

When wandering through the streets of imperial China, amidst bazaars and teahouses, one might stumble across the figure of a storyteller. Crowds gather around this lone narrator, whose tales of mystical beasts, warriors, and immortals, infuse the air with enchantment. Yet in recent years Shuo Shu, or the art of storytelling, has become a dying tradition. Contemporary Chinese audiences have instead turned their attention to digital content.

The time between messages, the length between reunions, the distance between lovers – our intimate lives are filled with spaces. Whether they be passionate or painful, absences punctuate our daily routines with reminders of a beloved when they are no longer there. From heady first meetings to bittersweet goodbyes, throughout it all, love haunts us like a ghost.